Dome Productions monitors 4K, HDR with Sony’s PVM-X
TORONTO—As a leading provider of production facilities, Dome Productions executes live sporting events and entertainment, as well as corporate productions, working closely with major broadcasters, leagues, teams, production companies, government agencies and content creators. We pride ourselves on providing technologies and expertise that contribute to a visually appealing and immersive end result. We are a long-time user of Sony, incorporating their imaging technologies into our workflow, so we have come to trust their expertise and reliability.
At Dome, we have produced over 1,000 live 4K events over the past five years, and as our customers began to embrace 4K and HDR production, we needed advanced surveillance solutions to meet those needs.
4K MONITORING ON WHEELS
In our previous truck builds we used Sony’s BVM-E170 and BVM-E171, which were always reliable and at a fair price. When we were looking to outfit our new IP base mobile unit, Dome Gateway, we knew we wanted to explore Sony’s latest options. We were excited to hear more about Sony’s new PVM-X series picture monitors, the 24-inch PVM-X2400 and 18.4-inch PVM-X1800, which feature a native 4K panel, HDR and a wide color gamut while delivering the color accuracy we’ve come to expect from business.
4K was an extremely important selling point for us. With the PVM-X series, we have recognized the benefits of using a native 4K monitor that does not require scaling and has no internal processing delay. For our work, lip syncing is particularly important, as is the ability to work in real time and provide an accurate representation of what is being broadcast. It’s also great that the monitor will scale to whatever formats we have, from 720p to 2160p.
In our field, a video operator serves as the main point of quality control, so he must have the best tools for the job, therefore have a reliable monitor like the PVM-X series that combines 4K with high quality color accuracy, very low processing latency, wide color gamut, HDR support, and options for LUTs are essential.
In addition to the key features, it was advantageous to choose a Sony panel that fits perfectly into the fixed space of the truck wall. It was also essential that the PVM-X series matched the colors of our other Sony surveillance technology perfectly and complemented the imaging of our Sony cameras. We are always looking to select options that can easily fit into our existing workflow, grow with us, and have a long lifespan to ensure a return on investment. This is why we were so happy to be among the first users of this new series of monitors.
There are more features incorporated into the PVM-X series that I hope to take advantage of in the near future; for example, the quadruple view capability. The monitors provide four independent inputs so you can view four different signals at the same time or compare the same signal in different ways. We haven’t used it yet, but look forward to rolling it out soon when we come back to HDR productions.
Based on the success we have had with the PVM-X series monitors in our Gateway truck, we are currently in the process of replicating the monitor setup in our all-4K Dome Silver truck, as well as the implementation of the cameras. Sony’s HDC-5500 system, to continue the collaboration.
Al Karloff has held various engineering positions at Dome Productions over the past 17 years. He is currently an Engineering Project Manager where he has designed and built numerous 3G / 1080p, UHD mobile trucks and remote production facilities. He can be contacted at [email protected]
For more information visit pro.sony.